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RESUME
BORN
New Orleans, LA
EDUCATION
2006
M.F.A., University of New Orleans, New Orleans, LA
1993
B.A., Concentration in Fine Arts, University of New Orleans, New Orleans, LA
SOLO EXHIBITIONS
2009
Gatherings, Heriard-Cimino Gallery, New Orleans, LA
2007
Matador: Emerge Project, Contemporary Arts Center, New Orleans, LA
2006
Becoming and Un-Becoming, Heriard-Cimino Gallery, New Orleans, LA
2004
Soren-Christensen Gallery, New Orleans, LA
2002
Galerie Simonne Stern, New Orleans, LA
Curator”s Choice: Monica Zeringue, Lauren Rogers Museum of Art, Laurel, MS
1999
Galerie Simonne Stern, New Orleans, LA
GROUP EXHIBITIONS
2009
Hot Up Here: New Works by New Orleans Artists, Contemporary Arts Center, New Orleans, LA
46th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA
HxWxD: Thirty Years of MFA at UNO, UNO St. Claude Gallery, New Orleans, LA Muses, Heriard-Cimino Gallery, New Orleans, LA
2008
Futurity, Heriard-Cimino Gallery, New Orleans, LA
2007
The Figure Revisited: Brian Novatny, Michael Northuis, Monica Zeringue, Heriard-Cimino Gallery, New Orleans, LA
Neighborhood Project, Installation, New Orleans
Fields, Podesta, Zeringue, University of Innsbruck, Innsbruck, Austria
2006
December Exhibition Featuring Louisiana Artists, Heriard-Cimino Gallery, New Orleans, LA
Women With Guns, Isaac Delgado Fine Arts Gallery, New Orleans
2005
Homegrown: Southeast, South East Center for Contemporary Art, Winston-Salem, NC Hanging Ten, Alexandria Museum of Art, Alexandria, LA
Surface Treatment, New Orleans Center for the Creative Arts Riverfront Galleries, New Orleans, LA
2004
Bird Space, Contemporary Arts Center, New Orleans, LA (Traveling Exhibition, 8 Cities)
2001
Paintings: Bechet, Garisco, Zeringue, Galerie Simonne Stern, New Orleans, LA
2000
Personal Mysteries: Ten Women Artists, The New Orleans Center for the Creative Arts, New Orleans, LA
1999
Louisiana Artists, Society Internationale des Beaux-Arts, Paris, France
Self Images, Galerie Simonne Stern, New Orleans, LA
1998
Still Sixteen, Still Life, Galerie Simonne Stern, New Orleans, LA
1997
Sheroes, Presented by the National Organization for Women, Hanson Gallery, New Orleans
Drawing Invitational, Galerie Simonne Stern, New Orleans, LA
Realism Knows No Bounds, Van de Griff Gallery, Santa Fe, NM
24th Juried Competition, Juried by Christopher Sweet, Masur Museum of Art, Monroe, LA
1996
Carving the Forces of Change: Celebrating Women in Art, Juried by Faith Ringgold, Women”s Caucus for Art National 25th Anniversary Exhibition, Chicago, IL
Guns in the Hands of Artists, Positive Space Gallery, New Orleans, LA
Four New Orleans Artists, Hilderbrand Gallery, New Orleans, LA
1995
Louisiana Open, Juried by John Yau, Contemporary Arts Center, New Orleans, LA
COMMISSIONS/AWARDS
2009
Visiting Artist, Stephen F. Austin University, Nacogdoches, TX
1999Prix de l”Academie de Paris, Societe Internationale des Beaux-Arts
1997Award of Distinction, “24th Annual Juried Competition,” Masur Museum of Art, Monroe, LA
COLLECTIONS
Frederick R. Weisman Art Foundation
New Orleans Museum of Art, New Orleans, LA
Alexandria Museum of Art, Alexandria, LA
Arts Council of New Orleans
LECTURES
2002
Artspeak, Contemporary Arts Center, New Orleans, LA
Guest Lecturer, William Carey University, Gulfport, MS
BIBLIOGRAPHY
MacCash, Doug. “Not Child”s Play,” The Times-Picayune, Lagniappe, Sep. 1, 2006, p. 17.
Bookhardt, D. Eric. “Fairy Tales of the Reconstruction,” Gambit Weekly, Aug. 15, 2006, vol. 27, no. 33, p. 43.
Rubin, David S. Bird Space: A Post Audubon Aviary, Exhibition Catalogue, The Contemporary Arts Center, New Orleans, 2004.
Bookhardt, D. Eric. “Inside Art,” Gambit Weekly, April 27, 2004, vol. 25, no. 17, p. 88. Volkmar, Karl F. “Birdwatching,” New Orleans Art Review, Nov/Dec, 2002, p. 6-10. Bookhardt, D. Eric. “ Inside Art: Girl Talk,” Gambit Weekly, Oct. 15, 2002, vol.23, no. 42, p. 49.
New American Paintings, Book XXXIV, July 2001, vol.6, no. 3; Open Studios Press, Wellsley, MA.
Calas, Terrington. “Vignettes of the Marvelous,” New Orleans Art Review, Sept/Oct, 1999, p. 24-27.
MacCash, Douglas. “Well Painted Symbolism Too Obvious to Pack a Punch,” The Times-Picayune, Lagniappe, August 20, 1999, p. 16.
Bookhardt, D. Eric. “Back to the Collage,” Gambit Weekly, August 24, 1999, vol. 20, no. 34, p. 53.
Bookhardt, D. Eric. Art Papers, Nov/Dec 1999, p. 45.
MacCash, Douglas. “Putting the Artist in the Picture,” The Times-Picayune, Lagniappe, July 23, 1999, p. 14.
Wall, Donna Dorian. “Still Here After All These Years,” Southern Accents, March/April 1999, Vol. 22. no.2, p.112.
Bookhardt, D. Eric. “Still Sixteen, Still Life,” Art Papers, Nov/Dec 1998, p. 55. Bookhardt, D. Eric. “ Inside Art: Still Lives,” Gambit Weekly, July 28, 1998, vol. 19. No. 30, p. 45.
Waddington, Chris. “Paint is Real Subject of Still Life Exhibit,” The Times-Picayune, Lagniappe, July 10, 1998, p. 14-15.
New American Paintings, Book IX, Winter 1997, Open Studios Press, Wellsley, MA. Bookhardt, D. Eric. “Art of the Gun,” Art Papers, Nov/Dec 1996, vol. 20, p. 51-56. Holliday, Kate. “Open I,” New Orleans Art Review, Nov/Dec 1995, p. 8-12. Waddington, Chris. “Painters Put a Different Spin on Figures,” The Times-Picayune, Lagniappe, March 31, 1996, p. 21-22.
MacCash, Doug. “Eye Music,”Off Beat, November 1995, p. 18-19.
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