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Resume
EDUCATION: BFA Massachusetts College of Art
SOLO AND COLLABORATIVE EXHIBITIONS
2011
Koosh, Heriard-Cimino Gallery, New Orleans, LA
2010
Coney Island Abstract: Continuity/Discontinuity, Instinc Art Space, Singapore
2008
Facebook Profiles II, Drabinsky Gallery, Toronto, Canada
Facebook Profiles, Roebling Hall Gallery, New York, NY
2006
Paintings, 600 West Gallery, Chicago, Ill
2005
Recent Paintings, Heriard-Cimino Gallery, New Orleans, LA
2004
Projection Series, Roebling Hall Gallery, Brooklyn, NY
Paintings, Drabinsky Gallery, Toronto, Canada
2002
Imperfect Systems, Drabinsky Gallery, Toronto, Canada
Paul Campbell, Taconic Gallery, New York, NY
Imperfect Systems, Roebling Hall Gallery, Brooklyn, NY
2001
Road Warriors, Barcelona Culture Studio, Barcelona, Spain
2000
Paintings from Brooklyn, Drabinsky Gallery, Toronto, Canada
1999
Remote Control, Roebling Hall Gallery, Brooklyn, NY
1998
The Mechanical Hand, Megan Fox Gallery, Santa Fe, NM
1996
Brooklyn Brewery Space, Brooklyn, NY
1993
Berland/Hall Gallery, NY, NY
1992
Berland/Hall Gallery, NY, NY
1990
White Room, White Columns, NY, NY
1989
Cardin Gallery, NY, NY
SELECTED GROUP EXHIBITIONS
2012
Globalization-Connections-Time, Curated by Yasemin Yilmaz, United Nations, New, NY
Kunstverein, Hanover, Germany
2011
New Year, New Work, New Faces, Storefront Gallery, Brooklyn, NY
Fore, Instinc Art Space, Singapore
Globalization-Connections-Time, Curated by Yasemin Yilmaz,
Aurodhan Gallery, Pondichery, India
Banco Provincia, Buenos Aires, Argentina (Upcoming)
Kiosk Gallery, Santa Cruz, Bolivia(Upcoming)
2010
Paintings, Diara Gallery, Hyderabad, India
Globalization-Connections-Time, Curated by Yasemin Yilmaz,
FNCC Franco Namibian Cultural Center, Windhoek, Namibi
Galerie El Nadira Decouverte, Rabat, Morocco
2009
Globalization-Connections-Time, Curated by Yasemin Yilmaz,
Inter-Art Gallery, Aiud, Romania
UnirllI History Museum, Alba Iulia, Romania 2009
Synopsis, Curated by Linda Book, Drabinsky Gallery, Toronto, Canada
2008
Profile Me, Curated by Sara Ebers, Hammes Gallery, Notre Dame, IN
Pro/Con, Curated by Kali Kondury, Hyderabad, India
A Good Time Is Right Now, Knew Gallery, Washington DC
Group Exhibition, Lesley Heller Gallery, New York, NY
2006
Group Exhibition, Heriard-Cimino Gallery, New Orleans, LA
2005
Labyrinth, Holland Tunnel Gallery, Paros, Greece
Excavated, Curated by Rene Pierre Allain, Planet Thailand, Brooklyn, NY
2004
Continental Divide: LA/NY, Curated by Mark Zimmerman, Planet Thailand,
Brooklyn, NY
Dialogue: Abstract, Space Gallery, NY, NY
2003
Theories: Abstract New York, Curated by Gayle Ruskin-White and Mark
Zimmerman, LICK Gallery, Long Island City, NY
Theories: Abstract New York, Curated by Gayle Ruskin-White and Mark
Zimmerman, Rodger Ramsay Gallery, Chicago, Ill
2002
Hungry Eyes, Curated by Monica Tap, Dalhousie Art Gallery, Halifax,
Nova Scotia
Serious Fun, Curated by Stacy Schmidt, Castle Gallery, New Rochelle, NY
Holliday Paper, Drabinsky Gallery, Toronto, Canada
2001
Allian, Campbell, Zinsser, Rodger Ramsay Gallery, Chicago, Ill
Group Exhibition, Drabinsky Gallery, Toronto, Canada
Brooklyn, New Work, Curated by Linda Francis, The Cathedral of Saint
John the Devine, New York, NY,
Metro-New York, Curated by Kenise Barnes, Schweinfurth Memorial Art Center
Summer Group, Roger Ramsay Gallery, Chicago, ILL
Site Santa Fe Benefit, James Kelly Gallery, Santa Fe, NM
Summer Exhibition, Drabinsky Gallery, Toronto, Canada
Group Exhibition, Ferran Cano Gallery, Barcelona, Spain
Re: Place, Planet Thailand, Brooklyn, NY
Recent Acquisitions, The Norton Foundation, LA, CA
Melting Pot, Curated by Alex Muse, Kenise Barnes Gallery, Larchmont, NY
Gifted, Drabinsky Gallery, Toronto, Canada
1999
Postmark: An Abstract Effect, Site Santa Fe, Santa Fe, NM
Art for Park, The Brooklyn Museum of Art, Brooklyn, NY
Abstract, Roger Ramsay Gallery, Chicago, ILL
(P) Review, Roebling Hall, Brooklyn, NY
1998
Pattern, Elizabeth Leach Gallery, Portland, Oregon
Benefit Exhibition, Salon 75 Gallery, Brooklyn, NY
4 Person Group Show, George Billis Gallery, NY, NY
1997
Vertical/Horizontal, Satellite Gallery, Long Island City, NY
Current Undercurrent: Working in Brooklyn, The Brooklyn Museum, NY
Recurrence, Gallery Korea, NY, NY
The Reflected Spirit, Megan Fox Gallery, Santa Fe, New Mexico
Pierogi 2000 Files, Gasworks Gallery, London, England
Corner House Gallery, Manchester, England
Weatherspoon Gallery, University of North Carolina, Greensboro, NC
Take Home a Nude, The New York Academy of Art, NY, NY
1996
Mechanisms of Sensibility, Curated by Joel Beck, Salon 75, Brooklyn, NY
Dots and Lines, Curated by Theresa Chong, 8th Floor Gallery, NY, NY
Take Home a Nude, New York Academy of Art, NY, NY
Image /After Image, Work Space Gallery, NY, NY
1995
Selections, Adam Baumgold Fine Art, NY, NY
Down the Garden Path, Curated by Lesley Heller, Work Space Gallery, NY, NY
Works on Paper, Curated by Chris Martin, S. Cono, Brooklyn, NY
Other Rooms, Ronald Feldman Gallery, NY, NY
1994
Jobs Overseas, Munchen Kunstverein, Munich Germany
Selections, Adam Baumgold Fine Art, NY, NY
Dyad, Curated by Annie Herron, Pierogi 2000 Gallery, Brooklyn, NY
Paintings and Unrelated Stories, Mustard Space, Brooklyn, NY
1993
Four Walls Benefit, David Zwirner Gallery, NY, NY
Inaugural Benefit Exhibition, Rotunda Gallery, Brooklyn, NY
1992
The Neurotic Art Show Part II, Artist Space, NY, NY
The Travel and Leisure Show, Four Walls Gallery, Brooklyn, NY
1991
Japan Airlines Anniversary Exhibition, JFK International Airport, Brooklyn, NY
Update 90-91, White Columns Gallery, NY, NY
The Neurotic Art Show, Four Walls Gallery, NY, NY
1989
Back Room Inaugral, Curated by Judd Nelson, Kasia’s, Brooklyn, NY
Fresh Paint, Hurlbut Gallery, Greenwich, CT
1988
The Building Show, Curated by Mary Funnell & Paul Campbell, Minor Injury Gallery, Brooklyn, NY
1987
A Man and a Woman, Dramatis Personae Gallery, New York, NY
1986
Invitational Group, New Math Gallery, NY, NY
Brooklyn 1985, The Brooklyn Museum of Art, Brooklyn, NY
Small Works Big Thinkers, Bess Cutler Gallery, NY, NY
1984
Materials for the Arts, Cultural Affairs Building, NY, NY
1983
The Marathon Show, New York Road Runners Club, NY, NY
1981
Massachusetts Council Exhibition, Danforth Museum of Art, Worchestor, Ma.
1980
Massachusetts Council Exhibition, Rose Art Museum, Waltham Ma.
AWARDS/RESIDENCIES
2011
Aurodhan, Pondichery, India
2010
Instinc, Singapore
2007
Ochre/India, Hyderabad, India
2003
Pollock-Krasner Foundation Grant
1995
Institute of Contemporary Art Boston,
Moonhole Residency, Bequia St. Vincent and the Grenadines
BIBLIOGRAPHY
Pursuits, Around Town, The Singapore Business Times, Jan 7, 2011
Christa Yeo, The Straits Times, Singapore, “My Weekend”, October 8, 2010
Jessica Dailey, “Painting Like Pollock on the Coney Island Boardwalk”, Brooklyn the Borough, July 21, 2010
Nikolina Pavlekovic, “Pictures from Facebook moved to the art gallery”, September 24, 2008
David Pescovitz, “Portraits from Myspace and Facebook”, boingboing.net, September 23, 2008
David Balzer, “Eye Candy, Facebook Profiles II”, Eyeweekly.com, July 9, 2008
Solarina Ho, “Facebook Profiles Endure With Artist Touch”, Rueuters, June 2008
- artnews.org
- thoughts.com
- news.com.au
- news24.com
- MiNDFOOD, mindfood.com
- couriermail.com.au
- tiscali.news
Shannon Stockbridge, “Facebook Profiles”, Theory Blog, May 2008
Chandi Lancaster, “Facebook Profiles”, Roebling Hall Gallery, New York, April 2008
- NY ART BEAT, nyartbeat.com
- ART CAL, artcal.net
- Re - title.com
- ARTslant, artslant.com
- artlog, artlog.com
- chelseaartgalleries.com
“Goings on About Town”, The New Yorker, October 18, 2004
Gary Michael Dault, Toronto Globe and Mail, Sunday, October 23, 2004
Howard Halle, “Gallery Hopping,” BKLYN, Fall 2004
Debora Gilbert, “Art on Restaurant Walls,” Greenline, VolumeXXIX NumberIII
Alice Burdick, “Hungry Eyes,” Arts Atlantic, Spring 2003 No.74
Stacey Schmidt, “Serious Fun,” catalog essay, 2002
Monica Tap, “Hungry Eyes,” catalog essay, 2002
Dominique Nahas, “Paul Campbell’s Recent Imperfect Systems Series,” Roebling Hall and Drabinsky Gallery catalog essay”, 2002
David Pagel, Louis Grachos, Bruce Ferguson, David Moos, “Postmark: An Abstract Effect”,
Site Santa Fe Catalog essay, 1999
Joel Beck, “Auto Mechanics,” Roebling Hall catalog essay, 1999
Wesley Pulka, “Art for the Hypersensitive,” The Albuquerque Journal, May 1999
Bruce Ferguson, “The Mechanical Hand,” Megan Fox Gallery Exhibition Essay, 1998
Arden Reed, “Among the Artists of Our Time,” THE Magazine, August 1998
Susan Hamberger, “Painting Show, Roebling Hall Gallery,” Waterfront Week, 1998
Craig Smith, “Letting the Paint Fall or Roll Where it May,” The Santa Fe New Mexican, 1998
Kathleen McCloud, “Using Language of Abstraction for Expression,” Pasa Tiempo, 1997
Mark Zimmerman, “Vertical/Horizontal at Satelite Gallery,” 1997
James Campbell, Images After Images (More Than Meets the Eye),” ImageAfterimage
catalog essay, 1996
Bruce Ferguson, “Jeffrey Slonim’s Q&A (In With the Out Crowd),” Artforum, March 1996
Laurie Pike, “Ooh La La; The Williamsburg Story,” Interview for The Canadian Arts and Entertainment Television Network”, 1996
Jean Nathan, “Game, Set and Perspective,” The New York Times, Sunday, May 16, 1993
Kathryn Kirk, “This Art Comes From a Brooklyn State of Mind,” The Brooklyn Phoenix, Jan 28, 1988
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